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She then asked me if I wanted to hear her new music. As someone who first saw her perform live with Destiny’s Child 23 years ago, a moment’s walk from my family home when the group played at the Notting Hill Carnival in 1999, I can feel the tingling excitement build as we make our way to her home recording studio. With minimal ceremony, she takes her laptop and plugs it in as we all sit on some sofas. Quietly, the superstar hits play on her upcoming album.
Instantly, a wall of sound hits me. Soaring vocals and fierce beats combine and in a split second I’m transported back to the clubs of my youth. I want to get up and start throwing moves. It’s music I love to my core. Music that makes you rise, that turns your mind to cultures and subcultures, to our people past and present, music that will unite so many on the dance floor, music that touches your soul. As ever with Beyoncé, it is all about the intent. I sit back, after the wave, absorbing it all.
