Monday, April 19, 2021

Xtina Health magazine interview

 https://www.health.com/celebrities/christina-aguilera

 

 

Christina Aguilera Talks Confidence and Working Through Insecurities in the Public Eye

Christina Aguilera has been called the voice of a generation. Now she’s using that voice in a whole new way—to advocate for herself and focus on what makes her happy. 

By Bethany Heitman

 

Over the past 20 years, while Christina Aguilera has been topping the music charts, her voice has been described as soulful and powerful, with just a bit of grit. Interestingly enough, those words also perfectly reflect who she is in her life at this very moment. Having turned 40, the singer says she's been doing a lot of reflection and is determined to live every moment for herself—and to stop worrying about what others think.

 

As Christina talks about this goal, a mix of vulnerability and determination shines through. "No matter what I've been through—successes, childhood trauma, hardships—I still have a fighting spirit," she says. "I never want to stop learning and growing to be the best person I can be." 

 

Christina was just 9 years old when she commanded the stage on Star Search. At 13, she more than held her own on The All New Mickey Mouse Club alongside costars Justin Timberlake and Britney Spears. By 19, she had released her debut album and won a Grammy for Best New Artist. In 2002 came her album Stripped. With empowering anthems like "Beautiful," everything about the effort seems to message staying true to yourself. More albums followed, as did roles in movies and TV shows. The other role Christina takes very seriously: being "mama bear" to her kids—Max, 13, and Summer, 6.

 

So, hearing that she has gotten caught up with what others think? It's a bit surprising. And when we tell Christina that, she laughs—and says that as she's been more open, she's been getting this reaction more and more. But then, she's quick to insist that everyone has their struggles—even world-famous, award-winning singers. 

 

Has life slowed down for you at all in the past year?

Yes. I'd been on the road pounding the pavement for a year and a half. My Vegas residency was wrapping up for a bit right when everything shut down. Before that, I had been bouncing back and forth [touring] in Europe, Mexico, and Vegas. I had taken the kids with me. I'd hit the stage, then come back to the hotel. If the kids were still awake, I'd read them a book after coming off an exhilarating show and then try to wind down before traveling the next day. I felt like a Ping-Pong ball. Then, I was going to be working on new music. So I needed the clock to stop—which is what happened. Some amazing things came to fruition for me.

 

Like what?

It was a great time to be hunkered down in my house with my kids. I really got a moment to do little things, like be in my backyard, read books that had been on my to-read list, and go through my old diaries. I have this massive trunk of old diaries that I've literally kept from the past 20 years of my life. I was able to catch up on them and do some self-reflecting. It really forced me to be silent and take a look at myself. In some regard, I wasn't happy with a lot of things, and it's scary to face those feelings that, under normal circumstances, you don't have time to face because everyone is going, going, going. That grind is praised, but I think we're all understanding that having moments to self-reflect and just breathe are crucial. I've been working since I was 7 years old. When I'm not working, there's a heavy amount of guilt that I feel. It's been embedded in me since I was little—you're shamed if you don't want to keep up. As a child [entertainer], you're all pitted against one another, and other children are all about that grind too. It's a weird space to grow up in. 

 

Did turning 40 bring up any feelings?

You start asking yourself: "Why am I holding back in certain areas of my life? Who am I really living my life for?" And with age, you figure out that life is too short to waste time thinking about what other people think about you. I've realized I am making memories for myself and that I shouldn't worry about what other people think. 

 

You project such confidence—it's surprising to hear you've ever felt that way.

You know, I've been hearing that a lot lately because I've been super open and vulnerable. I've been approaching all of my writing sessions by being an open book and saying, "Look, this is how I felt." A lot of people have been like, "Wait, I had no idea you ever felt this way because you've always been a pillar of strength with your messages." Yes, I've always been grounded in knowing myself. But even in owning your truth and power, there are moments of weakness. I am not ashamed to say that I have my dark moments. 

 

Are you comfortable sharing any of them?

I experienced a lot of trauma in my childhood—I've spoken very openly about it. But I think that was just part of my path. I've definitely had struggles in the past with depression and anxiety—it's a constant battle to overcome a mind that is anxious, a mind that is always second-guessing. I was in a session last night, and I got into my head. Someone told me if I wasn't feeling it, we could call it. I had been feeling like I wanted to end it, but all it took was someone being supportive for me to be like, "Wait a second, I'm not giving up on myself like that—let's go, let's get it!" 

 

You're back in the studio—can we expect a new album?

I'm months away from anything being announced. I'm simultaneously working on my English record and the follow-up to my debut Spanish album—about 20 years overdue. I'm a perfectionist and want to give everything my best—especially because of the soul-searching I've done over the past year and the new perspective I have. I am reinspired and have reconnected with myself. I've fallen in love with music all over again, which is a really big thing to say, having spent my entire career in music. 

 

You've been in this industry for a long time—how have you seen it change?

When I was first becoming successful, there was a different mentality in terms of what was accepted or not accepted by the press and tabloids. There was no social media, so you didn't have an outlet to speak out on your own. You had to rely on journalists and how they reported on you. A lot of times, I'd read something and say, "Wait, I didn't say it that way." I'd feel betrayed. I was still at an age where I was understanding myself and life. Media, at the time, was also big on pitting women against each other. And there was a bullying mentality going on in the tabloids. It's tough to look back on.

 

The tabloids definitely put you through the wringer.

Sometimes you forget how bad it was because it was such the norm. I'm currently in Miami, and the other day, I was outside with my daughter. I was thinking I was under the radar. Then, I saw these pictures of us come out. I was really emotional about it because I've really tried to be more private. My previous house was right on the street, and tour buses would drive by and treat you like a zoo animal and talk s--- about you. The guy on the microphone would read out whatever tabloid story about me right in front of my son's bedroom. That's harassment, and it's petrifying. Seeing those pictures took me right back there. But then I was brought back to that message of: "Who am I living my life for? Me." 

 

You must be proud of the success you've had in such a tough industry.

I'm proud of my honesty. It's a really hard thing to stick to in this business, especially when you've grown up under a microscope at a time when society was very critical of young women. I've had to work through a lot of insecurities in front of everybody. Every setback has catapulted me forward. I think that's my fighting spirit. And, at the end of the day, living that truth and being honest has always propelled me forward.

 

Have you always felt secure in your own body?

I think we all have our good days and our bad days in how we feel about ourselves. Entering this business, I hated being super skinny. Once I turned 21, I started filling out a little bit, and I was loving my new curves. I appreciated having a booty. I've always said that women are way more interesting to look at than men! I have a hard time looking at the early pictures of myself because I remember feeling so insecure. I would never want to relive my 20s—you're so in your own head and finding your confidence. As you age, you stop comparing yourself to other people and start appreciating your own body and owning it.

 

Are there ways you're trying to instill those lessons in your daughter?

I am really careful if my daughter is there when I am doing photo shoots. I want to make sure that when she sees Mommy in hair and makeup that she realizes that's not what's important. If she needs my attention, I stop everything and look into her eyes and listen to her. I want to make sure she understands that this is part of Mommy's work, but that it's what I create that matters more. There's no right or wrong way when it comes to my kids. I just really try to encourage them to be their own selves. 

 

What are some of the ways you take care of your mental health?

I write a lot. Pen to paper has always been grounding and centering for me. Also, getting outside helps—even if it's just my backyard. Feeling grass under my feet and looking at trees and clouds helps. Yoga has also been instrumental in helping me. 

This is Health's Beauty Issue—what are your favorite beauty rituals?

I find so much joy in the cleansing process—stripping away all the makeup so it's just clean skin with some moisturizer, and putting a little feel-good spritzer on my face. And I love a beautiful hot bubble bath with all of my ingredients and oils! I really make it like a nourishing soup in there. 

 

What does beauty mean to you?

Accepting yourself is what beauty is really about. As much as I also love being a glam girl and playing dress-up for the camera, when it all comes off, that's what's ultimately most rewarding—being able to feel really good about who's staring back at you in the mirror, because you're owning all of it. 

Sunday, April 18, 2021

Taylor Swift becomes the first female artist in history to debut nine consecutive studio albums at #1

 Taylor #1 debuts:

 

Fearless (Taylor’s Version)

Evermore 

Folklore 

Lover 

Reputation 

1989

Red

Speak Now

Fearless 


Taylor Swift's Re-Recorded 'Fearless' Tops Billboard 200 | Billboard


By Keith Caulfield

4/18/2021


Plus: She's the first woman with three new No. 1 albums in less than a year.

More than 12 years after Taylor Swift notched her first No. 1 album on the Billboard 200 chart in 2008 with her second studio set Fearless, she’s back atop the list with a re-recorded version of the album, titled Fearless (Taylor’s Version). The new set is her ninth No. 1 and scores the biggest week of 2021 for any album. It launches with 291,000 equivalent album units earned in the U.S. in the week ending April 15, according to MRC Data.


The original Fearless album debuted at No. 1 on the Billboard 200 chart dated Nov. 29, 2008, and spent 11 nonconsecutive weeks atop the chart.


On Feb. 11, 2021, Swift announced she had re-recorded the 2008 album Fearless as Fearless (Taylor’s Version). The new 26-track album has re-recordings of all 13 songs on Fearless, along with the six bonus songs added to a 2009 reissue of Fearless (dubbed the Platinum Edition) and the 2010 single “Today Was a Fairytale.” Beyond those 20 re-recordings, Fearless (Taylor’s Version) also boasts six newly recorded “from the vault” songs that were written for the original Fearless album, but were never recorded and released until now.


ARTIST MENTIONED

Taylor Swift



Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.


Taylor Swift's Been 'In the Studio All Day' as 'Fearless (Taylor's Version)' Arrives at No. 1 on the Billboard 200

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 24, 2021-dated chart (where Fearless [Taylor’s Version] debuts at No. 1) will be posted in full on Billboard's website on April 20. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram. 


Of Fearless (Taylor’s Version)’s 291,000 equivalent album units earned in the tracking week ending April 15, album sales comprise 179,000 (making it the top-selling album of the week), SEA units comprise 109,000 units (equaling 142.98 million on-demand streams of the album’s tracks) and TEA units comprise 3,000.


Re-recordings of older songs or albums are treated separately from their originals, with independent chart histories for each version. Thus, Fearless (Taylor’s Version) charts separately from the original album. The 2008 Fearless album falls off the new chart, after having re-entered a week earlier at No. 157 (chart dated April 17). In the latest tracking week, the 2008 Fearless album earned 6,200 equivalent album units (down 19%). Of that 6,200 sum, SEA units comprise 5,700 (down 21%, equaling 7.71 million on-demand streams of its tracks), album sales comprise 400 (up 15%) and TEA units comprise 100 (down 8%).


Let’s take a look at some of notable feats Swift achieves with the debut of Fearless (Taylor’s Version):


Ninth No. 1 Album: As Fearless (Taylor’s Version) marks Swift’s ninth Billboard 200 No. 1, she ties Madonna for the second-most No. 1 albums among women. Swift is closing in on Barbra Streisand’s all-time record among women of 11 No. 1 albums. Among all artists, The Beatles have the most No. 1s, with 19. Among all soloists, Jay-Z leads with 14. 


Taylor Swift Reveals the 'Fearless' Vault Song That Pointed to Her Pop Future

Biggest Week of 2021 by Units Earned: With 291,000 equivalent album units earned, Fearless (Taylor’s Version) scores the largest week for any album in 2021. It jumps past the previous high-water mark, set when Morgan Wallen’s Dangerous: The Double Album bowed at No. 1 with 265,000 units (chart dated Jan. 23). 


The Three Largest Weeks for an Album in the Last Eight Months All Belong to Swift: Since August of 2020, Swift has not only claimed three No. 1s, but also the three biggest weeks among albums in units earned. On the Aug. 8, 2020-dated chart, Folklore debuted at No. 1 with 846,000 units. Evermore arrived at No. 1 on the Dec. 26, 2020, chart with 329,000 units. And now Fearless (Taylor’s Version) starts with 291,000 units.


Biggest Week for a Country Album Since 2015: As Fearless (Taylor’s Version) bows with 291,000 units, it logs the largest week for a country album since 2015. The last country set to post a bigger frame was Luke Bryan’s Kill the Lights, which debuted at No. 1 with 345,000 units (Aug. 29, 2015-dated chart). (Country albums are defined as those that have charted on Billboard’s Top Country Albums chart. Both the original Fearless album and the new Fearless [Taylor’s Version] are charting on Top Country Albums.)


Fearless (Taylor’s Version) has the biggest week for a country album by a female artist since the Billboard 200 chart transitioned from an album-sales only ranking to an equivalent album units-based chart on the Dec. 13, 2014, survey.


Keith Urban First Heard New Taylor Swift Songs While Chilling at the Mall

Strong Sales: With 179,000 copies sold in its first week, Fearless (Taylor’s Version) logs the largest sales week for an album released in 2021, surpassing the opening week of Wallen’s Dangerous (74,000). Fearless (Taylor’s Version) also has the biggest sales week for any album since Swift’s last release, Evermore, sold 102,000 in its second week (Jan. 2-dated chart).


Largest Streaming Week for a Country Album by a Woman: Fearless (Taylor’s Version) bows with 109,000 SEA units -- totaling 142.98 million on-demand streams of the album’s tracks. That hefty sum marks the biggest streaming week for a country album by a woman.  It surpasses the previous record of 44.67 million streams tallied by songs on the Brenda Lee collection Rockin’ Around the Christmas Tree: The Decca Christmas Recordings (Jan. 2, 2021, chart). The album was powered by Lee’s evergreen holiday track “Rockin’ Around the Christmas Tree.”


Swift also scores the biggest debut streaming week for a country album by a woman, blowing past Maren Morris’ former high-water mark of 23.96 million streams earned by Girl on the March 23, 2019-dated chart. (Morris had a hand in helping Swift to her record -- she’s featured on the Fearless [Taylor’s Version] song “You All Over Me [Taylor’s Version] [From the Vault].)


The biggest streaming week registered by any country album remains Wallen’s Dangerous, with 240.18 million streams registered in its debut frame (chart dated Jan. 23). 


Taylor Swift Wanted to 'Stay Very Loyal' to Initial Melodies of 'Fearless' on 'Taylor's Version'

Swift Now Has Three of the Top Five-Selling Albums of 2021: In terms of traditional album sales, Swift already has three of the top five-selling albums of 2021 so far. Wallen’s Dangerous is tops with 218,000 copies sold, Fearless (Taylor’s Version) is No. 2 with 179,000, Carrie Underwood’s My Savior is No. 3 with 114,000, Folklore is No. 4 with just over 111,000 and Evermore is No. 5 with a little under 111,000. 


Shortest Wait Between New No. 1 Albums by a Woman: Swift waited just four months between the first weeks at No. 1 for Evermore (Dec. 26, 2020) and Fearless (Taylor’s Version) (April 24, 2021). That’s the shortest gap between new No. 1 albums by a woman. Swift beats her own record, set with the four months and two weeks between the first weeks at No. 1 for Folklore (Aug. 8, 2020) and Evermore.


The last time an act had a shorter wait between No. 1s before Swift was BTS, when the group waited a little over three months between Love Yourself: Tear (June 2, 2018) and Love Yourself: Answer (Sept. 8, 2018). Prior to that, Future achieved a first by landing back-to-back new No. 1s in successive weeks in 2017 (with his self-titled album March 11, 2017 and HNDRXX on March 18, 2017).


First Woman With Three New No. 1 Albums in Less Than a Year: With eight months and two weeks between the first weeks at No. 1 for Folklore, Evermore and Fearless (Taylor’s Version), Swift becomes the first woman in the 65-year history of the chart with three new No. 1s in less than 12 months. Previously, the fastest a female artist had notched three new No. 1s was just under 14 months, when Donna Summer topped the list with Live and More (Nov. 11, 1978), Bad Girls (June 16, 1979) and On the Radio: Greatest Hits Volumes I & II (Jan. 5, 1980).


The last act to score three No. 1s faster than Swift was Future, when he logged his first three No. 1s in just six months and three weeks with DS2 (Aug. 8, 2015); What a Time to Be Alive, with Drake (Oct. 10, 2015); and Evol (Feb. 27, 2016).