Tuesday, November 20, 2018

Highest Paid Women In Music (By Forbes)

1. Katy Perry ($83 million)
2. Taylor Swift ($80 million)
3. Beyoncé ($60 million)
4. Pink ($52 million)
5. Lady Gaga ($50 million)
6. Jennifer Lopez ($47 million)
7. Rihanna ($37.5 million)
8. Helene Fischer ($32 million)
9. Celine Dion ($31 million)
10. Britney Spears ($30 million)
 
 
https://www.forbes.com/sites/zackomalleygreenburg/2018/11/19/highest-paid-women-in-music-2018-katy-perry-taylor-swift-beyonce/?utm_source=TWITTER&utm_medium=social&utm_term=Valerie%2F#2d5c59d46a24

Monday, November 19, 2018

Taylor Swift signs worldwide deal with Republic Records/UMG

I’m ecstatic to announce that my musical home will be Republic Records and Universal Music Group. Over the years, Sir Lucian Grainge and Monte Lipman have been such incredible partners. It’s so thrilling to me that they, and the UMG team, will be my label family going forward. It’s also incredibly exciting to know that I’ll own all of my master recordings that I make from now on. It’s really important to me to see eye to eye with a label regarding the future of our industry. I feel so motivated by new opportunities created by the streaming world and the ever changing landscape of our industry.. I also feel strong that streaming was founded on and continues to thrive based on the magic created by artists, writers, and producers. 
There was one condition that meant more to me than any other deal point. As part of my new contract with Universal Music Group, I asked that any sale of their Spotify shares result in a distribution of money to their artists, non-recoupable. They have generously agreed to this, at what they believe will be much better terms than paid out previously by other major labels. I see this as a sign that we are headed towards positive change for creators – a goal I’m never going to stop trying to help achieve, in whatever ways I can. I’m so happy to have Sir Lucian Grainge as a partner in these efforts. 
I want to express by heartfelt thanks to Scott Borchetta for believing in me as a 14-year-old and for guiding me through over a decade of work that I will always be so proud of. I’m extremely grateful to get to do what I love, especially with the people I’ve been fortunate enough to work with. The best thing I’ve been lucky enough to receive is the dedication, trust, and loyalty of the fans who have cared about the words and melodies I’ve written. My biggest goal moving forward is to make you proud. I’m so excited. I can’t wait to show you what I’m making next. 
Love,
Taylor
 
 
https://www.billboard.com/articles/news/8485629/taylor-swift-leaves-big-machine-signs-new-label-deal-universal-music

Tuesday, November 13, 2018

'In The Zone' turns 15, Billboard ranks the songs

Britney Spears' 'In The Zone' Turns 15: Ranking All the Songs

11/12/2018 by Bianca Gracie

Image result for Britney Spears In the zone album cover


On 2001's Britney, Britney Spears sang about the struggles of growing up -- she wasn't a girl, not yet a woman. But by 2003's In the Zone, she had clearly arrived as the latter.
 
That album -- released 15 years ago on Nov. 12 -- marked the singer coming into her own, both as an artist (Spears took on more writing responsibilities than ever before) and as a woman (the LP's erotic content made "I'm a Slave 4 U" look relatively chaste). From the ice-blue album cover to its chilling production, In The Zone signaled a more mature direction for Spears as she explored electronic music and hip-hop like never before. And the record's lyrics -- which referenced her breakup with Justin Timberlake and pushed back at her critics in the media -- celebrated new levels of independence and candor for the singer.
Spears' hands-on artistry was rewarded by the public: In the Zone debuted atop the Billboard 200, went double-platinum and introduced some of the most iconic singles of her career. To celebrate the album and the turning point it provided for Spears' career, Billboard ranked every song on the album's standard edition.
 
12.  “Shadow”
The first of the two slow tunes on the album, “Shadow” is Spears’s version of an ‘80s power ballad. But even her tender, emotive vocals aren't enough to get out of the, well, shadow of “Everytime.” 
 
11. “Brave New Girl” 
“Brave New Girl” might as well have been a mission statement for the In the Zoneera: Here, Spears sings about letting go of all the constraints that have held her back and vows do things on her own terms. Still, the overuse of Auto-Tune and vocal effects makes “Brave New Girl” more cheesy than captivating.
 
10. “Outrageous” 
Let’s face it: “Outrageous” is a cursed track. From the controversial team-up with R. Kelly to the music video shoot where Spears injured her knee (which led to a cancelation of The Onyx Hotel Tour), the song is essentially the moment the singer’s career changed. But there is a silver lining: “B-girl ain’t lost the beat/ Jumped over drama and I landed on my feet” is as good a mantra for Spears' career as any.  
 
9. “Showdown”
Swedish production duo Bloodshy & Avant are the masters behind this unsubtle bedroom anthem, which finds Spears instructing her lover to undo her zipper and likening their adults-only fun to an arena sporting event. But when it comes to overall sexiness, “Showdown” doesn’t, erm, rise, to the occasion of the album's more seductive tracks. 
 
8. “The Hook Up”  
Spears has experimented with reggae and dancehall in the past (see: ...Baby One More Time’s reggae-funk “Soda Pop”), but on “The Hook Up,” she sounds like she stumbled into the sweaty basement where Sean Paul shot his "Get Busy" video. The dance-instruction lyrics and hard-hitting bass make for a flirty vibe, though the occasional, slight patois in her vocal delivery didn't age well.
 
7. “(I Got That) Boom Boom” feat. Ying Yang Twins 
“SHAWTYYY! WE FINNA GO TO THE CLUB AND GET CRUNK WITH BRITNEY...HAANNN!” still remains one of the best song introductions of the new millennium. “Boom Boom” saw Spears embrace her really cool and urban side as she drew from her Southern roots. Then throw in a naughty verse from Atlanta’s Ying Yang Twins, and you have a weirdly perfect ass-shaking theme song for the clubs -- and one of the most unpredictable pop-rap collaborations of the era. 
 
6. “Me Against The Music” feat. Madonna
Compared to other lead singles from her previous albums, “Me Against The Music” isn’t as iconic. But it offers a solid taste of Spears' newfound experimental side -- from the funky guitar riffs to her rapid-fire singing, it's Weirdney through and through. And, of course, the inclusion of Madonna served as the ultimate “passing the pop torch” moment that many fans were waiting for.
 
5. “Toxic”
 
One of Spears' signature singles, “Toxic” arrives in the middle of In The Zone like a lightning bolt straight from outer space thanks to those near-ear-splitting Bollywood strings (courtesy of Bloodshy & Avant) that could easily soundtrack a horror movie. While other tracks on the album are meant to soundtrack what happens after the club, “Toxic” leads you straight to the dance floor with its frenetic bassline and glitchy breakdown. And the world was eager to get down with her: The single earned Spears her first and only Grammy win for Best Dance Recording and peaked at No. 9 on the Billboard Hot 100.
 
4. “Early Mornin’”
Who knew Moby could be so risqué? He co-wrote and co-produced this after-hours jam, in which Spears details some presumed one-night stands with a dude with "dark hair" and another guy named Joe. And it's a stand-out on In the Zone thanks to Spears' commitment to capturing the vibe -- the singer literally yawns, whispers and giggles throughout the track as she recounts her nights out, making it feel like an authentic snapshot of her life at the time.
 
3. “Everytime” 
While Timberlake went the scorched-earth route on 2002’s post-breakup single “Cry Me A River,” Spears' purported response, “Everytime,” opted for something more nuanced and tender -- and totally heartbreaking. Her vocals are so soft and fragile, it sounds as if she just finished wiping away tears before getting in the recording booth. And the song’s lyrical message becomes even more haunting when you watch the David LaChapelle-directed video for the track, which appears to depict Spears' death and reincarnation following a paparazzi-induced head injury.
 
2. “Touch of My Hand”
“Touch of My Hand” was the first song Spears recorded for In The Zone, and it clearly shaped the album’s unbridled sensuality. Here, she takes part in a tradition of unapologetic, taboo-busting self-love anthems -- “I love myself, it's not a sin/ I can't control what's happening," she purrs just before the chorus -- and it deserves to be as much of a classic in that category as the Divinyls’ “I Touch Myself.” It's also a song Spears clearly loves: Despite being a deep cut album track, she's regularly included it many of her tour and residency setlists.
 
1. “Breathe on Me” 
Taking a few notes from Madonna’s passion-filled Bedtime Stories, Spears delivers one of the most provocative songs in her catalog with the trip-hop inspired "Breathe on Me." Set to a woozy, tingling beat, the track finds Spears toying with the listener via come-hither whispers and references to climaxes -- a less-explicit approach than "Showdown," sure, but one that's somehow even more intense. (She drove the point home during the Onyx Hotel Tour, during which she writhed around a bed with a male dancer to this track.) It takes a superstar of Spears' caliber to make an ad for monogamy sound this freaky.  






It was yesterday. i meant to post it but forgot. Oops!
MH

Simon Cowell Explains What Really Happened Between Him And Little Mix

Simon Cowell tells how Sir Philip Green and Little Mix had to leave his business because relations between them became so toxic

Speaking with emotion, ­Cowell, 59, said he had been “embarrassed” by the claims.
But he told The Sun he has now decided to put principles before profits as he attempts to create a business for his four-year-old son Eric to inherit.
 
He said: “The only reason I got annoyed was that it’s easy to paint this picture of Syco as this dark, awful place where all we’re trying to do is rip artists off and make them unhappy. “I suppose why I am glad I’m talking to you guys today — at least I can tell you what really happened.” 
 
Cowell and Green were once so close that they spoke on the phone for hours and went on holidays together. The tycoon even holds a five per cent stake — valued at £12.5million — in the music business.
But last week it emerged the under-fire billionaire has finally agreed to walk away after Simon tabled a fresh bid.
 
It came after recent revelations Green used a High Court injunction to protect NDAs that apparently involve allegations of racism and sexual harassment.
Cowell said: “He was part of the company but three years ago we just stopped talking.
 
“When it came to severing the ties, I wasn’t arguing about the money. You simply make a decision of who you want in your life and your business and it was my decision.”
Cowell insisted he cut contact before Green was criticised for his controversial sale of BHS.
He added: “It was six months before that. Then, roughly a year and a half ago, there was a meeting to see whether he would be interested in selling his shares. It didn’t appear that way. Then, your article came about and then shortly after it was done.”
Green is not a comfortable topic of discussion for Cowell, who is restricted by what he can say with the sale of the Syco shares unconfirmed.
 
But does he regret him being involved in the company? Cowell said: “This is tricky for me. Well, I could say that about hundreds of people I’ve worked with. The point is, I would have regretted it if I hadn’t acted now.”
And should Green have been named in Parliament over his use of NDAs at TopShop following claims of harassment? He replied: “I don’t know what this is leading to — not with me but with him.
“But like I said, my only regret would have been if I had put money over principle, and I didn’t. So when I had the opportunity, I did what I did.”
Cowell invited The Sun to a central London hotel — where he is meeting his staff from around the world to plot future strategy — following our exclusive on Saturday about his shock split from Little Mix
 
Simon said the decision came after a falling out with their reps Modest Management amid a row over a songwriting credit on their single Woman Like Me.
Cowell admitted: “It was just embarrassing but, funnily enough, I was more annoyed, again, not about me, but about the fact people who had worked so hard in my company were being misrepresented. Why do artists think they’re more important than staff members? They’re not. They’re the same.
 
“The irony was the record they were arguing about, which is Woman Like Me, they didn’t want to record. This was one of those ironic times that we were having a hit and nobody was happy.”
Again, Simon’s decision to walk away from his most successful act wasn’t financial. He said: “It wasn’t down to money. Basically, they said we’d done a terrible job. I had agreed not to talk about this publicly because I thought it was a private matter. I said, ‘We can’t work with the management, it’s as simple as that’.”
 
Cowell said he is going to meet the band this week “just so they can hear it from me and I can hear it from them”.
He added: “Everyone’s like, ‘There must have been something massive and that’s why it collapsed’. Well, I can show you all the correspondence between me and the girls over the years, there’s never been an instance when we’ve fallen out. As I said in my email to them, I stand by the fact they are the hardest working bunch of girls I’ve ever worked with. They deserve everything they’ve got.”
Over the past year, Cowell has removed himself from the internet and social media so he cannot be damaged by near-constant claims and conspiracy theories thrown about.
Addressing the subject, he said: “Look, no one’s more in the spotlight than me. And when the whole [#MeToo] thing happened, I have always had a clear conscience about that. I understand the moral code here.
 
“I suppose I get frustrated. People can read whatever they like. I do let myself be a bit of a sponge where you get beaten up. With this story, if you hadn’t called, I wouldn’t have said a word.
“All you can do is be transparent. I’ve never hidden anything from you guys, ever.”
Simon was livid when we told him there are internet conspiracy theories about why he teamed up with controversial journalist Mark ­Williams-Thomas — who exposed Jimmy Savile as a paedophile — to work on a TV series.
He replied angrily: “What you just said about a conspiracy about why I hired him, well let’s be clear here — I have a four-year-old son. He is all I care about.
 
Full story
https://www.thesun.co.uk/tvandshowbiz/7724655/simon-cowell-philip-green-little-mix-toxic/

Saturday, November 10, 2018

Little Mix signed with RCA and Leaves Syco

POP superstars LITTLE MIX have split with mentor and X Factor boss SIMON COWELL after an extraordinary row that is rocking the music industry.

The hit girl group — JESY NELSON, LEIGH-ANNE PINNOCK, JADE THIRLWALL and PERRIE EDWARDS — had grown increasingly frustrated with life at his record label Syco over the past 12 months, culminating in fallouts during the making of new album LM5.

The girls confronted Cowell direct in a strongly worded email, raising issues they had with his label.

Then a bigger row erupted between the group’s management company Modest and Cowell — who decided to cut all ties with the company’s artists, including Little Mix and last year’s X Factor winners RAK-SU.
 
The two bands will move to the label RCA, which is also part of the wider Sony group like Syco. A spokesman for Cowell confirmed to me: “Syco Music will no longer work with Modest Management and therefore any artists signed to that management company.

“We do, of course, wish all artists affected by this decision every future success. Consequently, LM5, the forthcoming Little Mix album A&R’d and released on Syco Music, is to be serviced by RCA at the request of Syco and Simon Cowell.”

And band member Jesy summed up the discontent within the band by liking an Instagram post written by @littleshadymix which said of the act: “They’re gonna leave Syco and then tell us what s*** Syco put them through.” The unprecedented fallout started over Little Mix voicing upset over their lack of recognition on new hit single Woman Like Me. They wanted an additional writing credit alongside Ed Sheeran, Jess Glynne and songwriter STEVE MAC.

The girls had added lyrics but were not asking for any publishing money.

Cowell got the band the writing credit they wanted, but by that point his relationship with Modest — who also manage the Spice Girls, Olly Murs and Niall Horan — had broken down. Simon’s decision to cut all ties with Little Mix — the band he created on his ITV show in 2011 and the label’s most successful act — is a massive shock on face value. But he insisted that he decided to back the loyal staff members who have worked for his Syco label for a number of years and will support Little Mix by inviting them to perform on the X Factor final.

Meanwhile, sources close to Little Mix say the band had clashed with Syco multiple times during the making of the new Album.

https://www.thesun.co.uk/tvandshowbiz/7705828/little-mix-simon-cowell-split/?utm_source=FBPAGE&utm_medium=social&utm_campaign=SprnklrSUNOrganic&UTMX=Editorial%3ADanWootton%3AFBLink%3AStatement%3AShowbizandTV